Joan Semmel – Intimacy/Autonomy (1974)

If to empathize means to put yourself in someone else’s place, then Joan Semmel’s self-portraits offer us an exercise in empathy. Four decades before selfies became a thing, this American artist was resorting to photography to document her body and sexuality, an approach that offered her a unique vantage point, further explored through painting. One…

Camille Claudel – The Abandonment (1905)

“Have pity, cruel girl, I can’t go on, I can’t spend another day without seeing you. Otherwise the atrocious madness. It is over, I don’t work anymore, malevolent goddess, and yet I love furiously. My Camille be assured that I feel love for no other woman, and that my soul belongs to you. … Ah!…

Gustav Klimt – Danaë (1907)

In the beginning of the 20th century, Austrian symbolist painter Gustav Klimt (1862 – 1918) was known for his luxurious paintings and generous use of gold leaf application. Critics called it his Golden Phase. Fascinated by the female subject, the artist returned repeatedly to painting women amidst golden settings. Danaë (1907) is a representative painting…